Crazy Superhero Origin Stories That Were Changed At The Last Second

Wolverine might be the most popular X-Man ever, but boy, has his life sucked. Amnesia is bad enough, but he's also got dozens of dead girlfriends, killed his biological dad, and was turned into a nightmarish science experiment that bonded metal to his bones. Back before Marvel decided to write Logan's mysterious back story as being an eternal recurrence of loss, though, io9 says the original plan was to eventually reveal that the clawed one wasn't a real "mutant," but instead, an actual wolverine — you know, the animal — which had been transformed into a human via some nefarious mad science. That might sound like a bad joke, but according to CBR, early X-Men comics even hinted at this twist, such as one issue where Sentinel-manufacturing bad guys scan Logan's body and get weird readings from it. In a later issue, where the X-Men meet up with magical leprechauns (don't ask), Logan gruffly says he doesn't believe in such fairy tales, to which the leprechaun cheerfully retorts that he doesn't believe in "talking wolverines" either. 

Thankfully, Stan Lee put the kibosh on this wacky concept, so you can thank him for ensuring that such great stories as Origin and Weapon X got to see the light of day.

If you're here, you might know the classic Robin origin story: Richard "Dick" Grayson is a high-flying young circus acrobat, whose parents, the so-called "Flying Graysons," are murdered by gangsters. Devastated, young Grayson is adopted by a strange billionaire named Bruce Wayne, and his colorful Robin costume, complete with a red shirt and yellow cape, serves as a clear homage to the circus family he lost.

Robin's back story could've been way different, though. According to Old Radio Shows, a canceled 1943 Batman radio show would've changed the Flying Graysons into a pair of FBI agents who are murdered by Nazi spies. Now, while this retcon wasn't directly proposed for the comics, CBR points out that such media adaptations had a way of causing the comic storylines to be rewritten. For example, such classic Superman staples as kryptonite, Jimmy Olsen, and the Daily Planet were first created by the Superman radio show and then adapted into the comics, while Batman's iconic Batcave was introduced in a 1943 serial. So if the Batman radio series had been produced, there's a good chance the whole "Nazis killed Robin's FBI parents" storyline would've become part of the comics.

Most of these heroes had their origins fixed before hitting print, but Thor was so confusing that Stan Lee and Jack Kirby had to work out the kinks in real time, from issue to issue. As the Sequart Organization points out, the first Thor appearance stars a character named Dr. Donald Blake, a brilliant physician with an injured leg, who discovers a mysterious magical hammer that transforms him into Thor. Amazing! Mighty! But here's the problem: Was Dr. Blake secretly Thor all along, or is Thor just an identity he assumes when holding the big hammer, a la Green Lantern's ring? 

In that first appearance, it seems obvious that Dr. Blake is supposed to be the real guy. But as Lee and Kirby introduced Thor's whole cosmic family, that didn't make much sense. If Thor is really Dr. Blake, how is Odin his dad, or Loki his brother? Clearly, Lee hadn't yet figured out which way to go with the story. The crafty solution finally came in #159, which explained that some years back, Thor had become a pretty arrogant dude, so Odin had wiped his memory, and put him on Earth with a fake human identity to teach him humility. That All-Father is one serious disciplinarian, eh? It was this final version of the tale that (mostly) made it into the Marvel Cinematic Universe, though as Complex says, the "Donald Blake" identity was reduced to an Easter egg.

Part of what made Alan Moore and Dave Gibbons' Watchmen so effective was that it took the superhero genre to places that comics had never ventured before. The heroes struggled with mental health ailments, the villain tried to "save" the world, and the good guys lost in the end. Part of what made this story possible was that the creators didn't use iconic heroes like Batman and Superman, but instead created a whole new universe to tear apart. According to Polygon, though, this wasn't the original intention.    

Back in the 1980s, DC Comics purchased the rights to a bunch of superheroes previously published by Charlton Comics, including the Question, the Blue Beetle, Nightshade, and Captain Atom. Moore and Gibbons initially pitched their post-apocalyptic superhero tale as one featuring all the Charlton characters, but DC balked: After spending money on those characters, they didn't want to potentially ruin their rep in such a crazy, dark, twisted story. So Moore and Gibbons created a bunch of new characters instead, based loosely on the Charlton ones. The parallels are easy to see, as MTV points out: Nite-Owl is just the Blue Beetle, Rorschach is the Question, and so on. Still, it's crazy to imagine how comics might be different if the original version of this story had hit the stands.

It takes a seriously popular supervillain to get his own movie, and Venom has one devoted fan base. In many ways, Eddie Brock makes the perfect anti-Spider-Man: While Peter Parker is the kid who grew up too fast, always plagued by self-doubt, debts, and responsibilities, Brock is the kid who never grew up, never takes responsibility, and blames others for his mess-ups. The two are so perfectly opposite that you'd imagine their storyline had been planned all along, but surprisingly enough, Brock wasn't the guy originally intended to become Venom. In fact, the character's creators weren't aiming for a "guy" at all.

According to IGN, Venom was originally conceived as a happily married pregnant woman who gets in a car accident when her taxi driver is too busy looking up at Spider-Man to pay attention to the road. Her husband dies, she has a miscarriage, and she's so enraged at Spider-Man that his rejected alien costume is drawn to her like a moth to flame. This original Venom pitch got rejected by the editor because ... uh, she was a female villain. Yeah, really. Needless to say, this sexist dismissal hasn't aged well, but at the time, it meant that writer David Michelinie had to quickly invent a new character, Eddie Brock, who has since become the symbiote's most iconic host. Other people have occasionally hopped into the black goo, though, including lawyer Anne Weying, pictured above.

The entire "superhero" genre as we know it rises and falls on the creation of Superman, the ultimate science fiction immigrant story, first brought to life by two Jewish kids from Cleveland named Jerry Siegel and Joe Shuster. However, History says back when Siegel first made it out of high school, he self-published a story called "Reign of the Superman," where the titular Superman character is a villainous powerhouse created by an evil mad scientist. According to the Jewish Virtual Library, Siegel and Shuster abandoned this villainous Superman concept when, over in Europe, the Nazis started distorting Nietzsche's "Superman" concept for their own purposes. In response to this, the now-legendary duo recreated their Superman character with a new origin story as a heroic force for truth, justice, and the American way: an alien from another world who protects the Earth from any evildoers stupid enough to oppose him. These days, Superman seems old school, but at the time, the character was so innovative and radical that it took five years for Siegel and Shuster to find a publisher willing to produce their story, which finally came to light in Action Comics #1.