The biggest scandals to ever hit Netflix

Once upon a time, Netflix was that dumb concept you rolled your eyes at: DVD rental by mail because it was too hard to go down to Blockbuster when you wanted to rent a movie or something. Today, Blockbuster is a old-timey joke for adults to chuckle at in Captain Marvel, and Netflix is an entertainment giant with its own movie and television originals. But all giant companies eventually have scandals because they're giant and because scandals are super-fun.

Like just about everyone else in the business, Netflix has had to waste a lot of its valuable time defending itself against accusations, both baseless and not-baseless, sometimes as a result of its own strange decisions and sometimes because its stars and other employees have done questionable things. And so, since scandals are super-fun and let's face it, you love them just as much as every other human, here are some of the biggest headline-making scandals that Netflix has ever been hit with.

You could have told this story without all that

There are some things you just don't do on television, whether it's pay TV or network. You don't cross the line between close-to-being-obscenity and obscenity, for example. You don't incite violence or promote racism. And you don't show the naked bodies of underage humans.

Netflix's Girl is a Golden Globe nominee, but critics say it crosses a couple of big lines. The film follows a transgender girl named Lara who's struggling to succeed as a ballerina. She's bullied at school and is obsessed about her body to the point where she ends up with a terrible infection because she has taped down her genitals for rehearsals. We won't give away the ending except to say that it's awful and tragic, and if you've got a weak stomach or a heightened sense of empathy, you'll either want to prepare yourself or maybe just give Girl a complete pass.

The scene that raised the most eyebrows was the one with a full-frontal shot of the 15-year-old actor who portrays Lara. Netflix's own censors thought the scene was too much, and these are the people who gave all of Orange Is the New Black a pass. According to Decider, the Netflix version of the film was supposed to air sans-questionable-scene, but the film's director complained and it was left in. But was that really a victory for art, or was it unnecessarily gratuitous? We know this much: It's an uncomfortable scene either way.

No, trafficking is not "edgy"

So we know that awful things happen to kids in this world. We also know that in order for everyone to be healthily aware of how vulnerable children are, we need to have some sort of representation of those awful things in the media, whether it's investigative reports or documentaries or, when very sensitively done, fictionalized stories. But there are lines, Netflix. There are lines.

According to Refinery29, the 2018 series Baby was inspired by the true story of 14- and 15-year-old girls who sold themselves so they could afford to buy designer clothes. The official bio talks about "forbidden love, family pressures, and shared secrets." Um, what? Okay, so maybe the premise is based on something that did actually happen, but making it into an edgy television series seems a little less than okay. In fact the National Center on Sexual Exploitation (NCOSE) pretty much thought the same thing — it asked Netflix to nix the series before its premiere because the show basically glamorizes a terrible thing.

As for the show's handling of those issues, Decider says it's kind of an even divide between portraying prostitution as "dark and sad" and also not really condemning it. And despite the backlash, Netflix didn't really seem to seriously consider pulling the series. As of 2019, Baby is still listed among its offerings.

When Kevin Spacey ended up being worse than Frank Underwood

Oh Kevin Spacey, you were so delightfully nasty as House of Cards' Frank Underwood, and we did so love watching you spearhead the fictionalized implosion of Washington politics because it was such a lovely distraction from the real, actual implosion of Washington politics. And then we found out you were gross and nasty in real life, and now we don't care about Frank Underwood anymore.

In case you weren't paying attention, Kevin Spacey was fired by Netflix because of a sexual misconduct scandal, which ended up costing the service close to $39 million. According to Reuters, the figure was related to "unreleased content [Netflix] decided not to move forward with." And it decided not to move forward with the content because the number of people accusing Kevin Spacey of sexual misconduct was high, like cracking into double digits and then some — as of early 2018, Spacey had more than 30 accusers, including eight who worked for House of Cards. And they were accusations of especially toxic behavior, too, including stuff like making aggressive advances on minors and putting his hands down the pants of a production assistant.

In this case, Netflix certainly did the right thing by letting Spacey go, regardless of how much it ended up costing them. We were never going to look at that dude the same way again anyway.

Help Netflix save us from having to work at Fox

It's not really clear why Netflix wanted to hire Fox employees specifically, but perhaps they were clawing at the windows and peering through the glass with "save me" eyes and Netflix felt bad for them? Whatever the reason, the Hollywood Reporter says Netflix was poaching Fox employees and Fox was super not-happy about it. In a lawsuit, Fox called it a "brazen campaign to unlawfully target, recruit, and poach valuable Fox executives by illegally inducing them to break their employment contracts with Fox to work at Netflix." Fox claimed Netflix tried to recruit two higher-level employees — a programming executive and a marketing executive — despite knowing they had contracts with Fox.

The lawsuit is still pending as of May 2019, but Viacom has also come forward with a poaching accusation against Netflix. In late 2018, it claimed Netflix had also rescued — err, stolen — one of its contracted employees.

Netflix isn't taking this all lying down, though — it says Fox basically bullied its employees into taking unfair deals that are against public policy, which sort of gave it the right to step in and say, "Hey, come work for us instead." Fox, on the other hand, says Netflix had "an actual poaching blueprint" which listed the names of executives and the time remaining on their contracts.

13 reasons why you shouldn't watch this show

Numbers 1 through 13: because 13 Reasons Why glorifies teen suicide.

When 13 Reasons Why debuted in 2017, it was almost immediately criticized because it's not just the story of family and friends having to deal with the consequences of a loved one's suicide. It's also (or so the critics say) kind of a romanticized depiction of suicide.

The story begins with the suicide of Hannah Baker, who has left a set of recordings behind to let everyone in her life know why she did what she did. And while adults with happy and stable lives may be able to watch a series like this from a detached perspective, this is probably not good viewing material for younger people who are having social challenges and may be contemplating suicide. According to Rolling Stone, 13 Reasons Why makes suicide seem like the easy way out, and because Hannah Baker continues to exist in flashbacks, it kind of makes suicide seem less final, too.

Now, yes it's obvious to most of us that suicide is definitely, very final and it seems like anyone with a rudimentary understanding of death would know that, but kids who are contemplating suicide aren't exactly in a rational frame of mind. So really, there are much better viewing choices for teenagers, even the ones who are happy and well-adjusted.

If you or anyone you know is having suicidal thoughts, please call the National Suicide Prevention Lifeline at 1-800-273-TALK (8255).

Bird Box contained footage from a real-life disaster

Dear Netflix, it's a bad idea to use real disaster footage in your fictional movies and television shows. Yes, Netflix actually did this, and it was understandably distressing for a lot of people.

Now if you were a heartless person you could make a very heartless argument for why Netflix should be allowed to use disaster footage — it does save them quite a lot of time and money they'd otherwise have to spend either recreating a disaster on-set or with CGI. On the other hand, anyone who has lost loved ones in a disaster shouldn't have to be surprised when footage of their loved one's final moments shows up in a popular Netflix film. And we're not talking about some old footage from long-ago disasters where all surviving family members are likely dead, either, we're talking about the 2013 Lac-Megantic rail disaster in Quebec, which claimed 47 lives.

According to the BBC, Netflix used a clip from the disaster to illustrate the early, apocalyptic scenes in the film Bird Box. Granted, the clip came from a stock footage company, so maybe Netflix wasn't entirely aware of its origins? But it's not like they were especially quick to remove it or anything — in fact early complaints were met with the corporate version of a shrug, and it was only after Canadian officials sent Netflix an open letter that the service decided they'd better replace it, because you don't cross those Canadians, right?

Hey, Felicity Huffman, did you also pay Netflix to put you in that movie?

The college admissions scandal of 2019 was a profound example of just how much division there is between the haves and the have-nots of the world. Thanks to Lori Loughlin and Felicity Huffman and loads of other super-rich people, we are all very much aware that all you need to get into a respected university is money.

When Huffman's name came up as one of roughly 50 individuals who bought their kids' way into prestigious universities, most of the college-educated population lost their collective minds. And when that happened, Netflix went, "Oh, everyone appears to be losing their collective minds, maybe we'd better not release that Felicity Huffman movie in case the world starts hating on us."

According to Business Insider, Huffman appeared in a film called Otherhood, which was supposed to be released just a couple of weeks after Huffman pleaded guilty to charges related to the scandal. But as of May 2019 it still wasn't listed among Netflix's offerings. Netflix gave the punt to Lori Loughlin, too, who was also implicated in the college entrance scandal and was a four-season "guest star" on the series Fuller House. A production source told TMZ that "there are currently no plans for her to return to the fifth season," which is really just a polite way of saying, "We'd like to stay really far away from even the edges of this particular scandal."

They throttled you but it was for your own good

Netflix will still send you DVDs by mail if you really want them to and it's not as big a deal anymore, but back when that was Netflix's main gig, they were accused of "throttling" people who were too comfortable with their unlimited accounts. In those days, if you had the "three DVDs a week" plan but you returned your movies too quickly, you got flagged as a heavy user. In order to keep those heavy user accounts profitable for the service, Netflix would delay shipments so those customers weren't receiving as many titles. In other words, "unlimited" didn't really mean "unlimited," much like "unlimited" internet can often mean "unlimited until you reach a certain point and then unusably slow for the next three and a half weeks but hey, at least it's still unlimited access to an unusably slow service, right?"

Anyway, Netflix has also been accused of a different kind of throttling on its streaming side. According to the Competitive Enterprise Institute, Netflix has been throttling certain customers for years — notably those who are using the AT&T or Verizon wireless networks. But why? The company says it caps video streams on AT&T and Verizon at 600 kb per second but has no such limitations for people using Sprint or T-Mobile because those services don't charge fees to customers that go over their data allowances. On the company's blog, Netflix said it "believe[s] restrictive data caps are bad for consumers and the Internet in general," so in other words, it's for your own good. You're welcome.

And now for a word from our sponsors

Netflix hardly ever has any decent movies, and if you don't live in a city you're forever having to wait for the stupid app to buffer. But most of us love Netflix anyway because it produces some danged fine commercial-free television and it doesn't feel like it costs that much money to subscribe.

But what if they took the whole "commercial-free" thing out of the equation? Imagine not only having to sit through buffering but also having to sit through buffering commercials. (It's a special kind of hell known as Hulu.) So in 2015 when people heard Netflix was going to add commercials to its content, everyone grabbed their torches and pitchforks and marched on Netflix headquarters. Not really, but you'd think.

According to the Motley Fool, the rumor took root when Netflix began running trailers at the end of shows and movies, so after you finished streaming something you'd see a trailer for a Netflix original series. Evidently, there were lots of people who thought this was gateway advertising, and Netflix was just preparing everyone for what would be an eventual onslaught of Snuggle Fabric Softener commercials.

Netflix had to release a statement to reassure customers that it wasn't going to happen. "No advertising coming onto Netflix," said CEO Reed Hastings on a Facebook post. "Period. Just adding relevant cool trailers for other Netflix content you are likely to love." So relax, people. Your commercial-free life is safe for now.

Just kidding about that whole grandfathering thing

"Grandfathering" once meant sitting in a way-too-warm living room that smells like Bengay and mothballs and telling your grandkids the same story about the old days that you've already told like 25 times, but you don't care because you're old and you've earned the right to be redundant. Grandfathering, of course, is not to be confused with being "grandfathered," which basically means being on the receiving end of all that.

Today, being grandfathered in at Netflix usually refers to an old account that maintains its original perks while all the rest of the world's suckers who didn't jump on the bandwagon ten years ago now have to pay more money for less. According to Variety, in 2016, Netflix user George Keritsis filed a proposed class-action lawsuit against Netflix, accusing the company of raising the price on his grandfathered account. Keritsis said Netflix promised his account would be forever and ever until the end of all time $7.99 a month and it was, right up until the point where it was $9.99 a month.

The progress of the lawsuit is unclear. The story dropped out of the news almost as quickly as it arrived, and there doesn't seem to have been a whisper, a long-winded story, or a "get off my lawn" heard about it since.

Wait, this is supposed to be sensitive?

All entertainment companies have to find the balance between reality and sensationalism. They don't do this because they dislike reality; they do it because they're pragmatic. Reality is boring. Just ask anyone who lives in reality. No one wants to watch a show about how you get up in the morning and eat an egg sandwich and sit in front of your computer all day. Because reality is boring.

So a certain amount of embellishment has to happen with just about every television show. Sometimes that's okay! Sometimes it's offensive and insulting and the people who make the shows don't seem to know the difference.

One example of this happening is with Netflix's sitcom Atypical, which Quartz says is supposed to be "a sensitive look at the problems autistic people face in the dating scene." But it's a sitcom, so … how sensitive can it be, really? Anyway, critics say this show just paints autistic men as stereotypically nerdy and frankly kind of sexist. Because the protagonist of Atypical is autistic, he has trouble understanding social cues, which means he's constantly misinterpreting the signals coming from everyone, and especially from the opposite sex. And because he's autistic, we're supposed to excuse the awful things he does as a result of those misinterpretations, you know, like physical abuse and breaking and entering. But hey, it's a sitcom, right? All's fair in love and putting female characters in uncomfortable, misogynistic situations for a laugh.