Bizarre Things That Happened On The Set Of Game Of Thrones

By all accounts, the sets of Game of Thrones seem like mighty fun and interesting places to be, mainly because Dragons and White Walkers aren't real and thus nobody gets burnt or frozen to actual death. Some of the shenanigans and troubles on set, however, are almost equal to the trials and tribulations of Westeros, such as ...

Pig farmer Kenny Gracey was on the verge of ruin before Game of Thrones came along. The show often goes to Gracey for period-appropriate Iron Age pigs — a cross between domestic pigs and wild boars seen in the series. He's also provided rare breeds of goats, sheep, deer and dogs for the production, and has allowed the production to dig through the piles of scrap near his property to dig up suitably aged and rusted chains, horse collars, anvils, mangers, and troughs to use during filming.

Since 1992, Gracey had been weighed down by a credit crunch and heavy debts — he had just been told by his wife he needed to send all his junk to a scrap yard, when he got a call out of the blue from a props buyer working for the production. Two days later, all his junk was taken by truck to the set. Since then, he has worked for the production as a supplier, animal handler, and even appeared on-screen when his animals need help during shooting. According to Gracey, "It has funded the preservation of my rare and specialty breeds ... Game Of Thrones has put me on the map." Luckily, not the map of Westeros — we all know what happens to smallfolk hog farmers there.

In a strange parallel, GoT also dodged a pig farm-related bullet. During an appearance at a community event at her home village of Clutton in Somerset, Maisie Williams told the BBC News she very nearly missed her audition for the role of Arya Stark, because she wanted to visit a pig farm on a school trip instead. Which sounds exactly like something Arya Stark would do, to be honest.

When creating Dothraki (and later Valyrian) for the series, showrunners turned to creative linguist David J. Peterson, who turned the few scattered words and phrases invented by George R.R. Martin, and extrapolated them into detailed, functional languages. This has been invaluable for creating a sense of realism in the show, but there have been a few hiccups along the way.

In one of the early scenes portraying the Dothraki, Jason Momoa's Khal Drogo watched two horny Dothraki braves fight to the death. Producers told him to ad-lib a line, so Momoa used a refrain from the Maori haka war dance: i te waka, or "in the canoe." It wasn't initially subtitled, but Peterson liked the sound of the line so much, he ended up retconning it into the Dothraki language as "Itte oakah!" or "Test your mettle!" The invention of the word oakah in this way would go on to influence how Peterson wrote Dothraki lines throughout the series.

Iain "Jorah Mormont" Glen got into the action as well, when producers forced him to ad-lib a Dothraki line at the last minute. The producers realized they needed Jorah to holler "Take all the gold and jewels!" in Dothraki, so they sent Peterson an email requesting a translation. Trouble was, Peterson was asleep — when he woke up and emailed them the correct translation ("Fichas ei hoshor ma dan!"), the scene was already filmed. The moral of the story: sleep is stupid.

Months later, a producer noticed the discrepancy between the line Peterson provided, and the actual sound of Glen's line — Peterson realized he would need to supply a Dothraki transliteration and translation for the nonsense babbling Glen had improvised. After some effort, Peterson paired Glen's gibberish with a plausible Dothraki expression: Mas ovray movekkhi moskat, or "The loose valuables are for loading." That doesn't have quite the same ring to it but, considering what he had to work with, that's pretty impressive.

Besides, since Jorah Mormont speaks Dothraki as a second language, it only makes sense he'd occasionally say something awkward. We don't really understand Peterson's work or how he does it, but we're glad he's being paid well for all this.

Iceland provided some beautiful landscapes for the series, but the country came with its own challenges. For one: importing live horses is banned in Iceland, due to fears about diseases being transmitted to the local breeds, so the production crew were forced to use native horses, which are about the size of ponies. Having 6'5" actor Rory McCann riding such a small mount would've looked ridiculous, which is why the Hound and Arya spend so much time walking to the Vale. Any scenes with horses filmed the beasts in the distance behind McCann and Maisie Williams, exploiting what screenwriter Bryan Cogman calls "the beauty of perspective."

This may have been for the best. According to McCann, he had a rocky relationship with the horse he rode in earlier filming, a male steed named Bjork. (Yes, he was named after the female pop star. He's a horse, what does he care?) "We would arrive on set and that horse would look at me and then his ears would go back and the head would drop and then, when [I'd] get on, he'd be shifting from one leg to the other. You could see his face, going, 'Oh, for f***'s sake!' I mean, he hated me."

Meanwhile, Williams was probably lucky Icelandic horses are comparatively small, considering she once fell off her horse while riding and got her foot caught in the reins. She described the situation to the Huffington Post with a charming offhandedness: "Yeah, it was really funny, actually. My leg was, like, caught up by my ear, and I was like, 'Oh, brilliant'." A pretty blase attitude toward being dragged behind a horse, but she's Arya Stark for a reason.

One of the unavoidable issues with so much nudity in the series is the logistics of nudity behind the scenes. Though everyone involved is a professional, sometimes it's just unavoidably funny.

Pedro "Oberyn" Pascal discussed how, during one of the orgy scenes, one of the actresses stayed disrobed between takes. This makes a lot of psychological sense, as repeatedly robing and disrobing in front of everyone could be more uncomfortable and lewd than just staying nude while waiting for the crew to sort their stuff out. Pascal described his amusement at having a naked person wandering around the green room during long breaks, where she spent the time waiting by playing Words With Friends with show creator David Benioff, and sitting next to a visibly uncomfortable Charles Dance while he tried to concentrate on his script. If only we all had Charles Dance's problems.

Nikolaj Coster-Waldau has a similar philosophy on nudity as part of the job. In an article with GQ, he said "I've seen Sean Bean naked. I've seen Mark Addy. And Lena ... We do that at the read-through. We just strip naked and read the script." Considering there were no naked scenes with Jaime Lannister, Ned Stark, and Robert Baratheon (Addy), it either suggests Coster-Waldau finds memorizing his lines easier in the nude, or there's some kind of tense nude sauna scene that got cut out of the Season One script.

Meanwhile, Kit Harington had to spend a lot of time lying naked on a slab as the recently deceased Jon Snow, being washed by Melisandre in preparation for his resurrection. Carice van Houten, who plays Melisandre, didn't make things any less awkward for him. This was the period of filming when the return of Jon Snow was (supposed to be) a massive secret and he was referred to as "LC" on set. It technically meant "Lord Commander," but Houten decided to turn it into an acronym for something much more amusing and rude. Entertainment Weekly couldn't print it, but Jezebel could. We can't say what it is, but you know what it is.

As bad as the above experiences were, they don't compare with the suffering endured by Emilia Clarke, during the scene when Daenerys eats a stallion's heart to prove her worthiness as a Dothraki. Clarke was actually eating an edible prop heart she had been assured would taste like Gummi Bears.

It did not taste like Gummi Bears.

Clarke described it instead as "sort of a congealed jam kind of thing. On the outtakes, there will be me heaving into a bucket. It's such a reflex, when you taste something that's just so revolting, you kind of instantly just want to get rid of it. It's safe to say that I didn't eat lunch that day."

Propmaster Gordon Fitzgerald designed the fake heart to have just the right look and consistency. "It really needed to provide some visible resistance when she bites into it. We settled on the same mature of gelatin gummy bears are made of and it worked wonderfully — right up until the moment Emilia almost threw up." Which is why propmasters should be forced to eat their own creations before they're fed to actresses.

What's worse was, the heart had to be given regular injections to stay moist, involving fake blood with the vague taste of bleach. In the end, Clarke was covered in the sticky stuff from head to toe, and kept adhering to everything she touched for a long time after the scene was shot. In fact, she disappeared from the set for a while due to it — she was stuck to her toilet seat. After all that, it makes us wonder if it wouldn't have been easier (and less disgusting) to just have Emilia Clarke eat a real horse's heart.

Face facts, Jaime Lannister. Jon Snow is the handsomest guy on the show. And based on the way he pulls off the whole smoldering thing, Kit Harington is very aware of his status as the handsomest guy on the show.

Now, if you were a showrunner for a series that featured a smolderingly handsome dude who is acutely aware of how smolderingly handsome he is, would you knock him down a couple pegs if you got the opportunity? Of course you would.

In Season 1, Entertainment Weekly says Harington got a fake script for the episode where he uses fire to protect Lord Commander Mormont from a wight. In the fake script, it isn't just the wight that burns, Jon gets caught in the flames, too, and the scene ends like this: "When the fire is finally out, we see by torchlight that all of Jon's hair has burnt down to the scalp. The skin on the top half of his face has been melted in the extreme heat, blistered and pustulant. ... Jon smiles, his teeth shining brightly in his destroyed face. Mormont, sickened, has to look away."

Harington, ever the professional, arrived for the shoot, and Dan Weiss explained that HBO wanted to do something about the fact that his character was "too Harry Potter." "We kept this up until we started laughing," he said. "He was a remarkably good sport about the whole thing."

Sansa and Arya are sisters, but they mostly dislike each other. Mostly. We've seen them come together in recent episodes, but that contentious relationship goes back a long way. So how do Sophie Turner and Maisie Williams feel about each other in real life? Well, they don't dislike each other, that's for sure.

"People always think Maisie and I are a couple," Turner told Glamour. "I mean, I am obsessed with her, so you never know." In fact Williams and Turner describe themselves as "best friends" and they say it's been that way since they met during Game of Thrones auditions at the ages of 12 and 13. And when they're on set, they aren't above pranking everyone with some pretend romance. "Even though we're [Game of Thrones] sisters, we tried to sneak a kiss into every scene we did together to freak everyone out a bit," Turner said.

Williams told Glamour that she doesn't expect she and Turner will ever be reunited on screen. "Everyone on set is sick and tired of us being so loud and laughing so much," she said. "Game of Thrones will be some of the funniest days of my life." Which is odd coming from the girl who puts herself to sleep at night by counting people she wants to murder. We'll call that more of an odd-funny than a haha-funny. We're glad you love each other in real life, though.

The eighth and final season of Game of Thrones has been pretty over the top in terms of security, but the show's secrets have always been closely guarded. In recent years there haven't been any paper scripts, for example, because it's too easy for scripts to get lost, stolen, or otherwise leaked. Sophie Turner told DigitalSpy that the actors would get their pages on an app the day before shooting. "So we would have to learn it all the day before," she said. "And once you've read it, it disappears 24 hours later, and you can never access it again. It's tighter than the White House security."

The scripts are so closely guarded, in fact, that no one really knows ahead of time who is going to be on set. The call sheets don't even list the actors and characters by name — they have code names. That way no one can obtain any clandestine information about which characters are going to be interacting in a particular shot.

It seems like a lot of trouble, but spoilers are sort of like poisoned wine — it sure does look delicious, but you're going to be really pissed off that you drank it. Showrunners are merely trying to protect us all from a horrible, horrible death. By spoiler. Or something. Just shut up and eat your popcorn.